Terrence Malick’s The Thin Red Line

In his career lasting over four decades, Terrence Malick has directed five feature length films. He released his debut film, Badlands, in 1973 to great acclaim before releasing what some consider his magnum opus, Days of Heaven (1978). He then disappeared from the film scene for 20 years until releasing The Thin Red Line in 1998. Since then, he has directed two more films, the temperately received The New World (2005) and the phenomenal (in my opinion, at least) The Tree of Life (2011).

I had only seen Days of Heaven and The Tree of Life prior to watching The Thin Red Line, but they were two movies I had immense respect for. I found The Thin Red Line to not only continue but to increase my admiration for the elusive Malick. Within his works, Malick has created a style that allows his films to speak on a different level than most films. As opposed to using a traditional narrative style, Malick instead waxes philosophical, utilizing long takes showing beautiful images of nature, while a voiceover takes the viewer through a philosophical meditation on man’s meaning and place in the universe.

The Thin Red Line continues Malick’s exploration of ordinary characters dealing with the struggles of life. There is no true main character in the movie, as Malick uses an ensemble cast for his story.  However, Malick expertly weaves through his cast, showing the characters within the warzone they inhabit before quietly retreating into their minds for them to deliver Malick’s trademark voiceovers. One of the film’s main concerns is man’s identity – as he steps into foreign lands, slaughtering strangers in the name of abstract concepts, how different is he from the combatants? Perhaps, as one characters remarks, all men have one soul that they share, that all faces are faces of the same man. During the voiceovers, all of the actors speak in a calm, meditative voice, creating a similarity between the speakers. The speaker is identified through camerawork, yet sometimes Malick doesn’t carefully define who is speaking, creating the impression that perhaps they all truly are the same person.

Malick is one of the great filmmakers alive today. He has surprisingly announced two upcoming films, generating much excitement within the film world.

Mark Sandrich’s So Proudly We Hail

ImageMark Sandrich’s So Proudly We Hail! (1943) works as typical piece of U.S. propaganda, with one glaring exception. It is not a combat film; instead, the film tells the tale of a group of woman nurses and their experiences throughout the South Pacific.

Propaganda served to keep the morale high for everyone involved in the war effort, and So Proudly We Hail! is intended to show the sacrifices by those not directly fighting in combat. The women are portrayed as tough, taking cover from artillery fire and bombings alongside the soldiers, and handling the pressures just as well. However, the women experience minor hysteria, but it is always brief and is later laughed off as nerves.

Despite intending to show the female participants in the war as just as hardy and important as the men, the film is still littered with Hollywood’s typically sexist portrayal of women. For many of the characters, their husbands, boyfriends, and lovers are the most important thing they are holding on to. They fuss over their hair and outfits in typical “woman” fashion – one of them claims that the thing she longs for most on safe shores is a beauty parlor so she can finally get her hair done. While under fire from the Japanese, another nurse runs from the safety of her escape truck back to their house in order to retrieve a black dress, endangering not only her life, but the rest of her troop’s. However, this dress has added significance, as she wore it the night she first danced with her lover when they were all together and safe (thus, retrieving the dress has double-significance trivializing her as a silly woman).

Despite the sometimes stereotypical treatment of the female characters, they are shown in a positive light and the movie deserves credit for that. Featuring an A-list cast, the acting is believable and sympathetic. The film deserves most of its praise, however, for showing that war is not merely a man’s game, and that people from all walks of life make sacrifices in the name of our country.