Stanley Kubrick’s Full Metal Jacket


I mentioned this film in passing in a previous post, but I feel it is a movie that deserves its own discussion. For many, this is their favorite Stanley Kubrick movie. I have had problems with it in the past, but after a recent rewatching I have found that I am more impressed with it now than I was previously.

Since 2001 (1968), Stanley Kubrick has broken almost all of his movies up into several distinct sections. In A Clockwork Orange (1971) there is the beginning section with Alex as a delinquent, followed by his stint in prison, and concluded with his time after being released. I have never taken issue with the fragmented nature of Kubrick’s storytelling, finding each section to complement the other ones, and never having a significant drop in quality. Full Metal Jacket (1987) is the exception to this statement.

The opening segment is phenomenal. It shows the process of a group going through marine bootcamp. Amongst the group is Pvt. Joker, who is the film’s main character-of sorts, and Pvt. Pyle, a fat, stupid layabout. Pvt. Pyle consistently makes mistakes and is unable to complete the physical demands imposed upon him by the strict drill instructor, who verbally and physically harrasses Pyle at every opportunity. After enduring months of abuse, Pyle finds his calling in riflery. The night before graduation, however, Pyle shoots the drill instructor with his rifle before shooting himself in the mouth. The film then cuts to Joker in Vietnam.

After this, the film takes a nose dive. The opening is a brilliant exploration of the dehumanizing effects of bootcamp, while the rest of the film struggles to find what it is it wants to say. After numerous forgettable interactions, Joker and his unit attempt to kill a sniper who is slowly picking them off.

Before this, however, Kubrick flirts with different ideas. Joker is originally deployed to Vietnam as a photographer, which allows him to critique the media’s representation on the Vietnam war. However, Kubrick quickly drops this promising concept. This prevents Full Metal Jacket from reaching its full potential as a great movie.

Stanley Kubrick’s Paths of Glory

Stanley Kubrick’s Paths of Glory (1957) was his first full-length feature devoted to war, a subject that he would revisit several times throughout his career. Today, his later film Full Metal Jacket (1987) is generally held in higher regard, or at least is more widely remembered. Paths of Glory, however, is one of Kubrick’s greatest works in my eyes.

The central theme running through Kubrick’s work is the struggle of man to maintain his individuality and control over his life in the face of larger forces. Perhaps this is seen no more clearly than in the military, and explains why Kubrick revisited the subject of war so frequently.

The film tells the tale of Colonel Dax, played by Kirk Douglas, a member of the French military during WWI. In order to advance his reputation and earn another medal, General Mireau, played by George Macready, orders a suicidal attack on a German encampment known as the “anthill.” While talking to Dax, Mireau reveals that he expects the attack to cost approximately 65% of Dax’s troops. Dax is hesitant, but goes through with the order. However, he is quickly required to retreat.

The lives of the soldiers of Dax’s regiment are tossed away by Mireau in order to gain himself recognition. He is fully aware it is a suicide mission. When the soldiers retreat to their trench, Mireau orders another unit to open fire on them in order to get them to move. The other unit refuses, and Mireau has several of the members of Dax’s regiment put up on charges of cowardice. During the trial, they have very little say, instead having to rely on Dax to protect them, a task in which he is ultimately unsuccessful.

The acting in the film is excellent. As is always the case with Kubrick, the editing, cinematography, and music are exceptional. The early tracking shots through the trenches are among Kubrick’s best. The Criterion Collection recently released the film on DVD. Perhaps this re-release will allow the film to finally rise and attain the widespread recognition that it deserves.