Stuart Cooper’s Overlord (1975) is defined by fluctuations. The story concerns Thomas, a young boy who signs up with a British army regiment and takes part in the storm on Normandy Beach on D-Day. The film fluctuates between time periods, flitting between Thomas’ past, present, and future, to create an artistic impression of the life of a soldier.

The film is also notable for the fluctuations between visuals. Shot by cinematographer John Alcott (who made his name doing cinematography for Stanley Kubrick, starting with A Clockwork Orange (1971), Barry Lyndon (1975), and The Shining (1980), also taking over as lighting camerman during the filming of 2001: A Space Odyssey (1968)), the film skips effortlessly between images of Thomas and those around him as they prepare for war and  actual documentary footage from the Second World War. This contrast adds a sense of realism to the film, and illustrates the hugeness of the situation surrounding our protagonist.

A major concern of the film is man’s size in the huge machine of the military. During one notable scene, Thomas writes a letter to his parents where he feels like he is shrinking in size until he will ultimately disappear; as the letter is dictated in his head, the camera pulls back until he is a tiny figure in the shot, before ultimately fading to more documentary footage where Thomas is no longer seen, nor are any people particularly recognizable.

Overlord is a tremendous film that is helped along by superb visuals and a phenomenal acting job by its lead, Brian Stimer, playing Thomas. Despite winning the Silver Bear at the Berlin Film Festival upon its release, the film has faded into relative obscurity since then. Perhaps this is because it is not as immediate and arresting as many of the other war films from the time (of which there are plenty). It has also been suggested that perhaps its message isn’t as blatant and pigeonholable as other movies from the time period and as such was forgotten. Whatever the reason, Overlord is a truly fabulous example of war cinema and deserves significantly more recognition than it receives.